Hertfordshire descends upon Hartford in this rendition of Kate Hamill’s adaptation of Jane Austen’s classic Pride and Prejudice produced by Hartford Stage. The Regency receives a breathtaking reimagining in this production, fusing the old-world charm of a 1700s parlor with the vibrant Spanish-style decor of this "radical adaptation." Director Tatyana-Marie Carlo’s vision is a theatrical delight as she fortifies Austen’s place among the greats, confirming that the relevance of Pride and Prejudice goes beyond the propriety of the era in which it was first penned— it transcends tradition.
The story is more or less the same. In this adaptation of "Pride and Prejudice," the core narrative revolves around the Bennet family's anxieties about their future. Mrs. Bennet, their matriarch, is deeply concerned about the lack of male heirs to secure the family's standing. In the absence of eligible sons, the Bennet girls find themselves at the center of the marriage market. Jane Bennet, the eldest sister, is open to the idea of marriage, while Elizabeth 'Lizzie' Bennet, the second eldest, staunchly refuses to settle for arranged matches devoid of true love. The situation becomes even more complex with Mary Bennet, who grapples with her own longing for love, but her prospects seem grim. The youngest, Lydia Bennet, is a symbol of youthful innocence, observing the chaos unfolding around her and taking in the combination of fear, mistrust, and desperation for love— her opinions forming around the chaos she’s brought into. While Kitty Bennet does not exist in this adaptation, her youth and spirit is embodied in the remaining sisters.
Enter Mr. Bingley, Miss Bingley, and Mr. Darcy, whose entrance into the Bennet world sets in motion a series of events that captivates Jane's heart and perplexes Lizzie's. This notable family influences the Bennet’s trajectory, bringing both hope and chaos, as their presence triggers a transformative journey for the Bennet family, for better or for worse.
The portrayal of the Bennet sisters, each distinct in their personalities, is a testament to the talents of the actresses. María Gabriela González embodies the role of the stoic and even-tempered older sister, Jane —poised and graceful. Renata Eastlick's portrayal of Elizabeth Bennet showcases both her steadiness and untamed appeal. Eastlick commands the stage with Lizzie’s charm and quick wit. Madeleine Barker's rendition of Mary offers a hilariously glitchy and gothic interpretation, akin to a quirky Wednesday Addams. Zoë Kim's Lydia bursts with energy and childlike complexities, yet her character evolves unexpectedly, revealing a hidden depth that points out the truth that not everything that is learned is expressly taught.
Kim's dual role as Lady Catherine de Bourgh presents a stark contrast, highlighting her versatility as an actress. Her transformation into this figure is characterized by a mean walk, deepened voice, and humorous bossiness.
Lana Young is a delightful nightmare and an audience favorite in her portrayal of Mrs. Bennet that encapsulates the energy of a manipulative and forceful mother, all while inserting a comedic touch that puts out the tension of the fires she sets.
Sergio Mauritz Ang’s performance stands out as he juggles the three different male characters. His Mr. Bingley radiates warmth, eagerness, and the sincerity of a trusted pooch. His Mr. Wickham emits a shifty and conniving energy, while Mr. Collins is brought to life with spirited dramatics and idiosyncrasies that uplifts both Ang’s comedic range and his theatrical prowess.
Carman Lacivita's Mr. Darcy is the epitome of stoic mystery, yet when pitted against Ang's Mr. Bingley, his impassivity cracks, revealing a slight, yet unexpected sense of humor.
The transformation of Hartford Stage into a lush parlor is a visual delight, thanks to Sara Brown's scenic design. The marbled teal framing adorned with cascading pink bougainvillea plants creates a stunning backdrop that infuses the Regency era with a tropical touch.
The lighting design by Aja M. Jackson, in collaboration with Hannah Wolland, is a key element that magnificently complements the set and scenes. Jackson and Wolland's intricate lighting work elevates the production, adding depth and atmosphere to each moment, playing into the humor and intensity of each scene. The music and sound design by Daniel Baker & Co strike a perfect balance between the upbeat and the classical. The sound underscores the action and complements the narrative.
Haydee Zelideth's costume design plays a pivotal role in conveying the themes of wealth and social status. The contrast between the elegant ivory garments with gold trim worn by Darcy and the Bingleys, and the loud-colored attire of the Bennet family, puts a new twist on the societal distinctions of the time.
This production utilizes irreverent sounds and a deliberate sense of unseriousness to wholeheartedly embrace the task of deconstructing the antiquated paradigms that have historically been used to evaluate the propriety, achievements, and virtue of women. In turn, it shines a light on the authenticity of women, laying bare the full spectrum of emotions that prompt them to shriek and revolt.
Under the capable direction of Tatyana-Marie Carlo and assistant Rachel Ropella, this depiction of Austen’s era offers a more contemporary representation of women’s struggles. This production artfully treads the fine line between preserving tradition and embracing innovation.
You can see Pride and Prejudice through November 5, 2023 at Hartford Stage. For tickets, visit https://www.hartfordstage.org.
