Torn: The Fantastic Toyshop Ballet Review

The cast of The New England Ballet Theatre’s production of The Fantastic Toyshop photo by The New England Ballet Theatre.

Even the season of perpetual hope is no match for war torn families, as we see in New England Ballet Theatre’s poignant presentation of The Fantastic Toyshop at the Theater of Performing Arts in Hartford. Director and choreographer Rachael Gnatowski skillfully unravels the dichotomy between the wonders of a magical toyshop and the somber reality of war-torn families during the Christmas season. The narrative, set in the city of Hartford, follows young Virginia (Peyton Root) and her mother (Mallory Cash) as they grapple with the absence of Virginia's father, a soldier deployed in the war.

Gnatowski's direction effectively underscores the central theme that the enchantment of the toyshop pales in comparison to the profound importance of family love. The heartfelt performances by Root and Cash, particularly in the poignant "Dance with My Father" scene, capture Virginia's innocence and longing, resonating with the audience and highlighting the emotional weight that the holiday season can bring to those separated from their loved ones.

The ensemble of playful children, portrayed by Chloe Glidden, Maryam ElMallah, Allegra Petrulis, Peyton Root, Imani Tabb, and Georgia Wagner, injects the spirit of Christmas into the performance. Their child-like grace, paired with simplistic yet charming choreography, reflects not only the joy of the holiday season but also nods to the future of the art form.

The musical selections by Gioachino Rossini and Ottorino Respighi serve as a whimsical backdrop, enhancing the galavanting children's joy in the toyshop. Gnatowski's choreography seamlessly weaves together the plot and setting with every Jeté and strategically placed dancer. The ballerinas, clad in all-white tutus adorned with silver embellishments that glisten like snowfall, designed by Fiona Connolly, execute Gnatowski's choreography with grace. Against a projected backdrop of snowflakes, their dance becomes a visual representation of fresh snow falling, beautifully illustrating the enchanting beauty of the season.

Connolly's costume design further elevates the production. The attention to detail in crafting The Hartford Doll, The Harlequin Doll, The Ballerina Doll, The Matryoshka Doll, and The Can-Can Doll adds an additional layer of elegance to the dancers' performances.

"The Fantastic Toyshop" successfully navigates the intersection of children's Christmas fantasies and the harsh realities faced by many families, resonating particularly strongly in the context of the contemporary world. While the performance was a fleeting two-night event, those interested in New England Ballet Theatre's future productions can explore their upcoming work at www.neballettheatre.com.